"Finding Nemo" (2003)
B. Photography
There are many cinematography aspects in the animated movie "Finding Nemo". There is some cinematography, but it isn't as obvious since it is animated. The lead cinematographer is Ralph Eggleston and Sharon Calahan and Jeremy Lasky were the photographers. The three of them are all noted for their expertise of lighting and layout. They contributed greatly to help capture what director Andrew Stanton visioned the movie to be.
The animation of the movie was done exceptionally well. According to the documentary "Making Nemo", they had to get a lot of scientific input to make the characters as real and accurate as they could. The characters had to be drawn with extra skin so they could show emotion. First the characters were drawn, then they were sculpted out of clay, and then put onto the computer to become animated.
The music in "Finding Nemo" was very intriguing and it set the mood of the scene. Dori, one of the main characters, had a short term memory. When Dori was taking Marlin to find Nemo, the music was very suspenseful and antsy. When she realizes that a "stranger" was following her, the music changes to a more fluttery and soft tone. The viewer could tell that she forgot that she was guiding Marlin just by listening to the music. Everyone who was involved in the movie had to go to several semenars on how fish move and swim in the water. This enabled them to know exactly how to draw the characters when they moved.
The director, Andrew Stanton, got certified in scuba diving so he could go into the ocean and film all of the underwater life. In the begining, the colors are very bright. They eventually get darker and once Marlin and Dori find Sydney, the color is a deep green. This is a very clever use of symbolism. In Marlin's home water, the colors are very bright and beautiful. This is because this is "safe water". They get darker as he swims farther away from his home. The deep green water in Sydney shows how the water is foreign to Marlin and Dori. The vivid colors were used with pastels and the darker colors were used with more "moody" colors.
According to the documentary "Making Nemo", they took real photos of the ocean and they animated them as real as they could. They got almost TOO real, so the animations had to be taken down a level. The director wanted the movie to be in it's own world--not too real but not too fake. The skin types of the fish were variated to create more interesting characters. Some skin types were velvety, transluscent, and transparent.
In 2003, after three and a half years of production, the movie was finally released. It won the 2004 Academy Award for Best Animated Feature and was nomitated for several other awards. They include an Academy Award for Best Music, Best Sound Editing, and Best Screenplay. "Finding Nemo" is an unbelievable movie and it is animation for any age.
Sources:
-"Finding Nemo" special features - Making Nemo: A special documentary featuring footage on the creation of the film.